Category Archives: Art

Prevent suicide by working together says Brighton charity

When asked how to prevent suicide, Roz said: “Sometimes it’s very hard to know how to carry on. But if you talk to someone, you may just manage to turn a corner.”

World Suicide Prevention Day is an annual event on Monday 10 September led by the International Association for Suicide Prevention (IASP) and the World Health Organisation. The emphasis this year is on the role that communities and individuals can play in helping to prevent deaths by suicide in their communities and the theme is ‘Working Together to prevent suicide.’

Roz

Grassroots Chief Executive Stella Comber said: “Many people fear talking about suicide in case they get it wrong or even put the idea in a person’s head. Talking about suicide needn’t be confronting, it can be gentle and reassuring but more importantly it could help save a life. Our Real talk workshops are designed for everyone, they use clear and simple language to help reach out and support a person who might be struggling.

“It’s important that we understand how common these thoughts are, so that we start to break down the stigma and the fear of talking. We need to get right away from the belief that somehow talking makes it worse. Talking about suicide is OK. Yes, it takes courage but its courage that we all have

Most deaths by suicide in Brighton and Hove and across the UK take place in the community not in mental health settings. So it’s down to us to start that conversation. That’s why we want more people to get involved, it’s essential that we pass on the skills and confidence needed to save lives. By working together, supporting each other we really can make a difference”.

suicide
Changemaker Tiff said: “I am open to talking about suicide because the thought of losing someone I love is catastrophic. If I can talk about suicide, you can.”

Brighton & Hove City Council’s Public Health team support the work of Grassroots Suicide Prevention, a Brighton-based charity, through their public health programme. Grassroots will be marking World Suicide Prevention Day with a range of awareness raising activities across the city. These include a number of public stalls, a photography exhibition at Brighton Station, and delivering a Real Talk workshop with the simple aim to get people talking about suicide in an open, safe and honest way.

Grassroots invite members of the public to come and find out more about how they can get involved and mark suicide prevention day on Monday (10 September:)

  • An evening ‘Real Talk’ workshop in Brighton followed by a screening of a short film about Grassroots’ volunteer Change Makers – 6.30-8pm at 68 Middle St. Brighton, BN1 1AL Click here to book your place.
  • An information stall at Jubilee Library to support starting conversations about suicide prevention work in the city, and encouraging engagement through a variety of means, such as, downloading the appattending training and taking the ‘Tell Me’ pledge. You can read more about the stay alive app here. It gives local contact details for concerned residents and a gallery to put photos that give you a reason to stay alive.
  • An information stall at Brighton Station with a similar focus to the library stall
  • A photography exhibition at Brighton Station, running September 9th – 18th, using the long wall along the wooden walkway at the back entrance. Following the theme of ‘Working Together’ this will include portraits of local people who care about suicide in the community and are taking action to prevent it.

Grassroots Suicide Prevention was established in 2006, to use education and innovation to help make communities safer from suicide. They provide mental health and suicide prevention training courses and expertise to large and small organisations both locally and nationally.

Grassroots is not a crisis service, it trains people to talk about suicide and seek help. If you’re feeling like you want to die, it’s important to tell someone. Help and support is available right now if you need it. You don’t have to struggle with difficult feelings alone. You can call the Samaritans at any time, day or night, Tel: 116123 or email jo@samaritans.org.

Further resources are available here.

An edited version of this article was first published by Brighton and Hove News.

Family pantomime returns to Brighton this Christmas

Singer and actor David Essex is the virtual star of a family pantomime playing in Brighton over Christmas this year.

The 1970s pop star will appear on an LED video wall as Baron Hardup in Cinderella at the Hilton Brighton Metropole from Friday 22 December to Wednesday 27 December.

And he will be joined by a string of West End performers including Joseph Peters and Alasdair Buchan.

The cast also includes a number of Brighton personalities. They include David Hill as one of the ugly sisters, Lou Nash and Alex Baker from Juice 107.2 and Dean Kilford from Latest TV and BBC Sussex playing Buttons. Keris Lea will play the Fairy Godmother.

David Hill with Keris Lea, the Fairy Godmother

Cinderella is the brainchild of Mr Hill who “fell into” pantomime in 2001 while sharing a flat with the comedian and novelist Julian Clary.

He said that his travel business was in difficulty after the 9/11 terror attack because people were afraid to fly.

Mr Clary suggested that he audition and Mr Hill found a second career as a pantomime dame.

A countywide search for Cinders was mounted a month ago resulting in 300 applicants.

The show’s writer and co-producer Tim Newman said: “Hannah Bailey, who will be playing Cinderella, offers us everything we were hoping for in this part and I know that every young girl in the audience will fall in love with her.

“I’m not sure what Hannah is more excited about, playing Cinders or having David Essex as her father in the show!”

Cinderella is being produced by Brighton Premiere which is a collaboration of event company E3 and the Brighton Academy of Performing Arts.

The show will be directed by Mr Newman and Stuart Dawes from the academy.

Mr Newman said: “It is so important to have children in mind. Like Pixar, the pantomime should be enjoyable for kids and parents.”

Ticket holders will enjoy free entry to a Christmas Fayre with food, dodgems, face painting, charity stalls and a chance to meet Santa.

Each performance will raise money for the three biggest children’s charities in Sussex – the Chailey Heritage Foundation, Chestnut Tree House and Rockinghorse.

Juice 107.2 is the pantomime’s headline sponsor. Others include Sussex Life, Visit Brighton, Hilton Brighton Metropole, Oliver and Graimes, Donatello, City Cabs, Glencairn Consulting, E3, Brighton Academy and McKenzie Associates.

Cinderella will run twice daily from Friday 22 December until Wednesday 27 December with no shows on Christmas Day.

Tickets cost from £10 (restricted view) to £22.50 (premiere) and are available online at brightonfamilypanto.com.

This article was first published in Brighton and Hove News on 19 October.

Hong Dam and “the Butterfly’s Dream”

Another overcrowded dinghy drifts off Europe’s coastline. Another group of faceless migrants. Are we becoming immune to the suffering felt by those with little choice but to leave their homeland? Hong Dam asked.

In this context Hove artist and sculptor Hong’s work is a timely reminder of the emotional reality of living in exile.

Hong left Vietnam for Hong Kong on a junk in 1978, and did not return until 2012, 34 years later.

She studied fine art sculpture in 1994 but found she was naturally good at visualising in three dimensions.

Hong said: “I found the art world of the West too pretentious and too intangible for me; especially in the 1990s for a refugee girl. I needed to earn a living. Without money you have no status and no pride. I don’t see money as the answer to everything, but we all need it.”

Hong therefore took a masters in computer animation and visualisation at Bournemouth University before working in the special effects section of the film industry. She has been accredited for her work in the films Gladiator, Babe 2 and 10,000 BC.

However, it is since having her children that Hong has documented her own childhood in Vietnam and contrasted it with western industrialisation, using digital imaging techniques.

She said: “Having my own children brought me back to my own childhood. I start to feel that my daughters and I live in two parallel worlds – the contrasts and conflicts of East and West – the wants and needs are so different. I decided to document a visual diary for my two daughters and hopefully they will understand why I am saying no to gadgets and material things.”

Hong’s personal work is a journey of self-discovery, exploring the universal themes of love, loss, separation and hope. She said: “I have tried not to do art, but I always find myself going back to it. The passing of my father last year has made me realise that life is impermanent and intangible, perhaps what I am doing is documenting a small part of history, of many unsung heroes who sacrificed for their loved ones unconditionally in times of adversity.”

She has produced a painting called the “Promised Land” where she superimposes images on top of each other in layers. The painting has a turbulent skyscape, a dragon, a combination of the ramparts from the Great Wall of China and Hadrian’s Wall with the rushes of Vietnam.

In the foreground is London, the Gherkin and BT Tower are clearly visible but Hong has superimposed one of her sculptures and an image from Earnest Haeckel. She has added an alien dimension because this is how she feels. She said: “As a refugee, I am always searching for the promised land.” Hong’s late father was Chinese, making the dragon an important symbol in her art: she is a child of the dragon.

Hong layers digital images to create her art

She left Vietnam in 1978 and did not return until 2012, 34 years later. Hong spoke of the iconic image of the girl running naked and without clothes along the road during the Vietnam War. She said: “I recognise it and it made me shiver.”

Some of her art contains explosions and bombs but she said: “When there is destruction, there is new life. People had to start again. There is always a positive among even negative events.” In January 2013 Hong Dam wrote a visual diary called “Dreaming of Home.”

Scenes of the West are often dark and polluted, contrasting with the lush purity of nature in Vietnam, particularly in the painting “Childhood Memories.” Yet Vietnam has also now developed and is no longer the place of Hong’s childhood.

In her own words Hong describes her most recent work: “Trapped between the invisible glass of a fragile, expensive bottle; wanting to break free. The sea, the sky merged into one; a big crash of explosion forces the migration of 1000s of butterflies. A message in a bottle drifting across derelict lands in search of a new life. Change, adapt I will – in order to survive.”

“The Butterfly’s Dream is about a little girl living in a fragile world, that is, the glass bottle, the changes and adaptations she has to make after migrating. The fragile beauty of the perfume bottle versus the ordinary lives of another world: two parallel worlds of East and West.”

A woman is cocooned in a perfume bottle but an explosion shows it is not safe

The perfume bottle is significant because Hong said: “In the West women are conditioned to feel less capable. Some women feel fragile. In poor countries women do everything. There is a limitation here.” She said that in the film industry in 1990 men and women would do the same job but they would not get the same pay.

She thinks the conditioning is ingrained and asked: “Was it really worth the price?” Hong said there is a perception of worth and a vanity about being beautiful and elegant among western women. She thinks women use this to their advantage.

Hong’s mother blew up rocks and then shovelled them onto a truck in Vietnam. The rocks were then made into tarmac. Conditioning means that western women put limitations on themselves.

To conclude Hong said: “I always see the sky as the limit. It is how determined you are that matters, even if you don’t get there, you get further than you would if you didn’t have that dream. We should continue to dream, be content with the love, do not be afraid to dream but understand the present, the people you love where you are.”