Blink by Phil Porter

Blink is a very touching tale of two quirky young people who find themselves unexpectedly alone in the world. Jonah acted by Chris Church comes from a repressive religious community in the country and is a bit of a geek. He comes to London upon the advice of his mother and is befriended by Sophie, Kez Price, who lives downstairs.

Their friendship begins in an unusual way by sharing space through a screen. The couple eventually go on dates without speaking. They do not speak for a long time. They get to know each other in other ways. Surveillance does not feel menacing in Blink because there is consent, unlike the mendacious witch hunt I have experienced at the hands of the media. I did not consent.

When disaster engulfs Sophie, Jonah is there by her side. Over attentive at times, faithful and loyal. As with many friendships, there are highs and lows. Characterisation is excellent and charming. Jonah’s character is more eccentric and therefore easier to define – there are stereotypes of people who live in the country and of strict religious communities. Sophie is a Londoner: we all know Londoners and perhaps we don’t notice their eccentricities.  She is no less credible, just more normal if such a phenomenon exists.

Blink’s central question could be: How do introverts meet and how do they interact? Sophie is told at work that she “lacks visibility” and this statement haunts her. She is criticised because she did not go drinking in the pub after work, which is probably the only issue; but as introverts do, she worries that she is actually becoming invisible. Words hurt and people do not forget how criticisms make them feel, long after the words themselves and details have been erased from memory.

Masterfully directed by Nettie Sheridan, Blink is making her debut at Brighton Little Theatre and I very much hope they will invite her back. Kez Price and Chris Church work hard – they are on stage together throughout the play for one hour and fifteen minutes. Kez Price was part of the BLT production of The Mill on the Floss which won the Minack Trophy Award in 2019. Like Nettie Sheridan, Chris Church is making his debut at BLT after five years with Seaford’s Synergy theatre. Phil Porter, who wrote the script, has written adaptations of Shakespeare, Opera and libretti for children demonstrating his considerable range as a playwright. Blink was first performed at the Soho Theatre in London.

Blink is thought-provoking and needed in our time. How many of us have been hidden away during the pandemic? Isolated and alone, some of us have found new ways to connect. Above all, the play is about friendship and love between two people of the same age. If you would like to find out how their friendship develops, you must go and see the play.

**** Four Stars

Brighton Little Theatre has a policy of wearing masks throughout the production at the moment and only allows drinks in the bar which is ventilated. They are taking the pandemic more seriously than many institutions including churches and should be commended for it. The theatre seats 75 and it felt like a safe and thoroughly enjoyable night out.